Tuesday, 29 July 2014
Friday, 4 April 2014
Sunday, 2 March 2014
The Urge to Return, Ex Libris Gallery, Newcastle upon Tyne, Feb 2014
300 drawings on 'found book-backs'.
Drawings with animation of 30 drawings
Crash Point. Oil on board, 2014
Animation, Original and Empty Mirror. Installation, 2014
Drawings with animation of 30 drawings
Crash Point. Oil on board, 2014
Animation, Original and Empty Mirror. Installation, 2014
Wednesday, 15 January 2014
The Urge to Return
In Search of the Real Marat, Digital Image, 2014
Quin’s exhibition ‘The Urge to Return’, rather than limiting itself to the presentation of recent painting uses the Ex Libris gallery as a space of demarcation. The lines of demarcation between concerns held within painting (2012-2014) and the provisional animations of ‘Repetition’ (2010) and‘In Search of the Real Marat’ (2013) are however, elastic.
The exhibition draws a line under Quin’s previous concerns in painting, best described as the deliberate embrace of paintings tropes, multiplicity of approaches to image-making,materiality of paint and painting’s inner differentiatedness experienced within what can be categorised as the uncanny.
The ‘return’ that the exhibition refers to is an interest in how interdisciplinary dialogues may be initiated between painting and time based media in order to reinvigorate paintings ability to represent duration as a static image and secondly, in the role that repetition plays as a dynamic force in both static and time based media’s attempt to represent duration. Although these interests are embryonic in Quin’s work from 2005 onwards, they are repeatedly shelved, postponed and deferred until‘Repetition’,(2010) an installation consisting of 360 drawings on found books, where each drawing is made from memory of its predecessor -shown at The Bluecoat, Liverpool as part of the Global Studio exhibition curated by Sara Parsons.
It is this work that prompted Quin to return to the questions of repetition and duration with focus, founding as it does, the research question for his current practice-based PhD at the University of Newcastle upon Tyne.
Monday, 23 September 2013
Contemporary British Painting
Contemporary British Painting group with exhibition dates. Marylebone London.
http://www.contemporarybritishpainting.com/wordpress/?page_id=36
http://www.contemporarybritishpainting.com/wordpress/?page_id=36
Wednesday, 18 September 2013
Paintings in Progress. September 2013
Automaton. Oil on linen. H30cm x W25cm. 2013
Brueghel's Getaway. Oil on board. H30cm x W25cm. 2013
Manet. Oil on board. H30cm x W25cm. 2013
Untitled. Oil on linen. H30cm x W25cm. 2013
Polaroid. Oil on board. H18cm x W14cm. 2013
Two Kim Novaks. Oil on board. H18cm x W15cm. 2013
Vertigo. Oil on board. H30cm x W25cm. 2013
Untitled. Oil on board. H34cm x W38cm. 2013
Bedroom Scene. Oil on linen. H25cm x W30cm. 2013
Dutch Scene. Oil on canvas. H40cm x W30cm. 2013
Star Wars. Oil on linen. H30cm x W25cm. 2013
Woman from Florence. Oil on board. H30cm x W25cm. 2013
Brueghel's Getaway. Oil on board. H30cm x W25cm. 2013
Manet. Oil on board. H30cm x W25cm. 2013
Untitled. Oil on linen. H30cm x W25cm. 2013
Polaroid. Oil on board. H18cm x W14cm. 2013
Two Kim Novaks. Oil on board. H18cm x W15cm. 2013
Vertigo. Oil on board. H30cm x W25cm. 2013
Untitled. Oil on board. H34cm x W38cm. 2013
Bedroom Scene. Oil on linen. H25cm x W30cm. 2013
Dutch Scene. Oil on canvas. H40cm x W30cm. 2013
Star Wars. Oil on linen. H30cm x W25cm. 2013
Woman from Florence. Oil on board. H30cm x W25cm. 2013
Monday, 17 June 2013
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